The Pose of Happiness + Ease: Sukhasana


https://www.yogajournal.com/practice/easy-pose-2

The Pose of Happiness + Ease: Sukhasana

Think like a kid and take a seat. Find out how Sukhasana, aka the Pose of Happiness, encourages a natural sense of ease. Just try it.
AUG 29, 2007
Sukhasana

Think like a kid and take a seat. Find out how Sukhasana, aka the Pose of Happiness, encourages a natural sense of ease. Just try it.

Think back to a time when you felt blissfully happy from head to toe. How would you describe the sensations that rippled through you? My bet is that during this period, you had a sense of being utterly grounded and at ease in the present moment. You probably also felt buoyant, uplifted, and awake to the vast possibilities of life around you.

Ideally, yoga practice cultivates these dual qualities of steadiness and vitality, of both comfort in the here and now and openness to the transformation that lies ahead. The classic seated posture Sukhasana(Easy Pose, alternately referred to as Pose of Happiness) is a great starting place.

It’s not uncommon for children to naturally find their way into Sukhasana when they’re playing or happy or relaxed. As children, we learn that it is a position of great ease and one that can encourage quiet concentration. Remember when your teacher would gather you and your classmates around to sit cross-legged when she wanted you to pay attention and listen?

If Sukhasana came so easily to us as children, why do we need to spend time relearning it as adults? At some point in our schooling, we graduated from sitting on the floor to sitting in chairs, which can encourage a lifetime of unhealthy and uncomfortable alignment, including a rounded lower back, tight groin muscles, and a sunken chest. So, Easy Pose might not feel as easy on the hips and knees as it once did. But practicing Sukhasana regularly can release the hips and groins, strengthen core postural muscles, and even soothe frantic nerves.

Whether or not you choose to start a meditation practice, simply coming into the shape of Sukhasana offers an introduction to states of mind that are quiet and more meditative. When the body feels balanced and the spine is aligned properly, prana (vital energy) flows freely, we breathe more easily, and our mind comes to rest. Sukhasana helps us settle with comfort and acceptance in the present moment while opening up with enthusiasm toward life around us.

Sit With Care

To begin, fold a thick blanket or two into a firm and steady support about six inches high. Position yourself on the edge, with your sitting bones on the blanket and your legs outstretched in front of you on the floor. Fold the legs in toward your body, separating the knees, crossing the shins, and slipping each foot beneath the opposite knee.

Relax the feet so their outer edges rest comfortably on the floor and the inner arches settle just below the opposite shin. You’ll know you have the basic leg fold of Sukhasana when you look down and see a triangle—the two shins together form one side, and each thighbone creates another. Don’t confuse this position with that of other classic seated postures in which the ankles are tucked in close to the sitting bones. In Sukhasana, there should be a comfortable gap between the feet and the pelvis.

In the beginning, tight muscles and poor sitting habits may cause you to tuck your lower pelvis and rest your weight on your tailbone. This, in turn, causes the lower back to round, the heart to collapse, and the head to drop forward into a depressed, couch-potato slump. There’s nothing comfortable or uplifting about this position! So let’s build a steady, balanced foundation for the posture.

Use Props and Create a Fine Throne

Instead of sitting like a sad dog with its tail tucked between its legs, roll the pelvis forward and rest on the sitting bones. To do this, place your hands on the blanket on either side of you, press firmly downward to straighten the arms, and lift the pelvis off the blanket. Gently untuck the base of your tailbone and lower yourself back down. Release your arms to settle down onto your sitting bones. Don’t overarch your back and poke your ribs forward like an enthusiastic gymnast, but do make sure you’re not letting the chest sag and the lower back round.

Notice how as you tilt the pelvis forward, the natural curve in your lower back is emphasized, your back waistband is drawn gently inward and upward, and your belly grows spacious. To be clear about this action of the pelvis, you might like to alternate a few times between the two ways of sitting—the slumped, tired, tailbone—tucked version and the lively, uplifted one. Do you notice how such a simple shift in your body can change your mood and your state of mind?

If your experience is anything like mine, when you tuck your tailbone and collapse your spine, a sense of dullness and inertia washes over you and the world begins to look a little gray. By comparison, when you situate yourself firmly on your base so the spine can assume a more neutral posture, the mind clears, the clouds part, and the sky returns to blue. Sitting this way demands a little more energy and enthusiasm, but the rewards are well worth the effort.

Now return to the legs, the foundation of Sukhasana. Shift the weight toward your right side and use your hands to externally rotate the left thigh, turning the inside seam of the top of your leg upward, toward the sky. Opening the thighs in this way will help release reluctant hip muscles and should relieve any strain on the knees. Repeat this action on the second side.

If after you make this adjustment, your knees remain higher than the top rim of your pelvis, come out of the posture, increase the height of your blankets to create a more elevated throne for your hips, and sit in Sukhasana again. If this still doesn’t remedy the problem, sit in a chair instead. In the beginning, finding stability and steadiness while seated is more important than forming the classic shape, and you will feel happier if you’re wise enough to use all the props you need.

Also seeEverything You Need to Know About Meditation Posture

Refine and Release Into the Pose

Once you’ve found your firm foundation, invite the lower half of your body from the pelvis downward to release into the ground with a big sigh of relief. Let gravity pull both the pubic bone (at the front of the pelvis) and the tailbone (at the back) gently toward the earth. At the same time, relax the hips, knees, and ankles.

Being able to manage all of these actions may take some time, but with practice, the pose will foster a delightful sense of presence and comfort in the world. And the more profoundly you are able to settle downward, the more you will invite a paradoxical buoyancy to emerge from within. Imagine raindrops falling downward from the brain into the pelvis, and then summer vines spiraling upward through the spine toward the sun. It’s as if the rooting action through the base invites a lightness to rebound up through you, creating spaciousness and joy in the upper half of the body.

Continue to feel a sense of fullness in your heart as you broaden across the top of the chest. Spread the collarbones as if you were sporting a medallion on your breastbone that you wanted to shine brightly toward those around you. At the same time, let the upper arm bones be heavy to help release the shoulders downward.

Rest your hands comfortably on the thighs and relax your fingers. Keep the elbows in line with the shoulders so the upper arm bones remain perpendicular to the floor. If you’re looking to feel a little more earthiness in the pose, turn your palms to face downward. If you’re seeking brightness, try turning the palms upward instead.

If your spine is in healthy alignment, with your weight balanced on the front edge of your sitting bones and your breastbone rising up, it is likely that your head will be positioned directly over the shoulders instead of slipping lazily forward. If this isn’t the case for you, reassess the situation and adjust your position.

Relax the shoulders toward the hips and imagine a magnet in the crown of your head being pulled upward toward a magnet in the sky. As you do this, the back of the neck will lengthen and the head will be pulled in line with the spine. Keep the head in a neutral position as you look forward with quiet and receptive eyes. Rest here for several breaths, enjoying the opportunity to be in the pose with a quiet body and easy heart.

Before exploring Sukhasana further, change the fold of the legs. Stretch them out in front of you and then recross them the opposite way. This means that if you folded your right shin inward first before, you’ll now fold the left shin inward first.

Let Happiness Arise

Balance yourself evenly on the edge of the blanket, taking care to resituate yourself on your sitting bones. Close your eyes and for a few breaths, return to that deep and grounded feeling in your hips and legs. Notice how this nurtures a sense of comfort and steadiness in the body, as if you’ve brought your awareness back down to earth and into the present moment.

After several breaths, shift your focus to the freedom in the upper half of the body—you may feel as if your heart has wings that would lift you right off the ground if you weren’t so well rooted at your base. Soften the boundaries of the body, letting your heart’s vitality radiate outward and upward.

Now bring your awareness to your breath. Each time you breathe in, send a wave of energy down your spine, deep into your hips, and perhaps even far into the earth beneath you. With each exhalation, reverse this current of energy, inviting it to rise upward through your spine into the sky.

Relish this opportunity to sit quietly, soften the mind, and surrender to the passing sensations of life: the warmth or coolness of the air around you, the gentle massage of the breath as it pours into and out of you, the ability to rest your mind in the fullness of the present moment.

Now practice happiness. Let a secret smile emanate from your core outward through your skin. Encourage feelings of spaciousness and openness to well up from deep within. Notice if the mindful connection of the body and breath you’ve created evokes feelings of sweetness and ease.

The rewards of this practice will multiply exponentially if you radiate out from yourself the sensations you feel. Like the sun’s rays shining outward in all directions, your happiness may serve as a balm and delight not just for yourself but for everyone around you too.

While you’re here, why not try a Guided Meditation?

Claudia Cummins practices happiness and teaches yoga in central Ohio.

 

Toc House by Elias Rizo Arquitectos


http://www.caandesign.com/toc-house-by-elias-rizo-arquitectos/

Toc House by Elias Rizo Arquitectos

Location: Tapalpa, Mexico
Year: 2008
Area: 3,445 sqft
Photo courtesy: Marcos García, Mito Covarrubias

toc-house-01toc-house-02toc-house-03toc-house-04toc-house-05toc-house-06toc-house-07toc-house-08toc-house-09toc-house-10toc-house-11toc-house-12toc-house-13toc-house-14toc-house-15toc-house-16toc-house-17toc-house-18toc-house-19toc-house-20toc-house-21toc-house-22toc-house-23toc-house-24toc-house-25toc-house-26toc-house-27toc-house-28toc-house-29toc-house-30toc-house-31toc-house-32toc-house-33

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【時事想想】我們對未來電力的想像|林承寬


事實上,由於各國的國情,地理環境與天然資源不同,國際上似乎不存在一個好的模型可以綜合評估能源陣列的分配與運用。試想,如何評估能源來源的安全性與穩定性值多少錢?如何將環境的迫害與健康的損失物價化?
【時事想想】我們對未來電力的想像|林承寬
http://www.thinkingtaiwan.com/content/6446

我們對未來電力的想像

人氣指數: 1547
http://www.facebook.com/plugins/like.php?href=http%3A%2F%2Fwww.thinkingtaiwan.com%2Fcontent%2F6446&layout=button_count&show_faces=false&width=200&font=arial&height=80&action=like&colorscheme=light&locale=zh_TW&send=false
友善列印版本

今年暑假電力一直吃緊,公務機關被要求中午時段節電,引發民怨,許多擁核的聲浪隨之高漲,八一五無預警大跳電,更像壓死駱駝的最後一根稻草,恢復核四的民意響徹雲霄。

我想絕大多數的台灣人民應當都同意,充足的能源,安全的環境與合理的電價絕對是老百姓首要的考量。除此之外,對缺乏天然資源的台灣而言,能源來源的安全性(雞蛋不要放在同個籃子裡),能源供給的穩定性,對環境與健康的影響力也必須納入考慮。

來源:Pixabay

因此,顯而易見的,在考量電力來源時,往往是多面向的評估。不應掉入核能與燃煤二選一的命題。事實上,由於各國的國情,地理環境與天然資源不同,國際上似乎不存在一個好的模型可以綜合評估能源陣列的分配與運用。試想,如何評估能源來源的安全性與穩定性值多少錢?如何將環境的迫害與健康的損失物價化?既然無法正確評估風險,又無法將其風險轉換成預期金錢損失以資比較,那評估這些隱形的社會成本就會變得非常模糊與嚴重低估。

除此之外,即便台灣現階段缺電是事實,逼迫人民只能在恢復核四與限電之間二選一依然是個很不公平的爛問題,更非解決問題的辦法。首先要先認知今年暫時性的電力短缺,主要肇因於未若台電內部期待核四運轉足以補位的結果。 隨著今年林口、大潭與明年大林、通霄等新機組的運轉,吃緊的電力會有相當程度的緩解。再者,從時間來看,一座電廠從核准興建到商業運轉至少要五到十年時間;然而電廠一旦建造下去,就享有三十年甚至更長的壽命。今天決定興建任何電廠,都無法解決今年缺電的燃眉之急,眼下一時的缺電,不宜作為爭論未來還要不要有核能的依據。而同時,討論擁核或反核實應著眼於國人對四十年後或更久遠的能源想像。

不容否認的,核能提供了穩定、安全(沒錯,核災與核廢料的風險實際上比想像的小很多),便宜、低溫室氣體排放且低污染的能源。在能源經濟學裡,絕對是非常吸引人的選項。但如果說沒有核四台灣就一定會面臨限電,或是沒有核能台灣人就只能呼吸PM2.5,這都未免太危言聳聽。

來源:蘋果日報

作為一個長程的能源政策問題,台灣值得更好的討論選項。在技術方面,碳捕捉與儲存的技術(CCS)在許多國家已實際建造,該技術降低了近85%二氧化碳排放,大大地解決火力發電的溫室氣體問題。而目前硫化物與氮化物的處理,也都能降低超過95%的氮硫化物排放。在綠能方面,太陽能確實面臨了峰值與需求不同步的問題,也有陰天晴天不穩定的特性,但是以目前全球太陽能板依等比級數降價的量產規模,台灣又是太陽能板製造大國,太陽能發電在台灣確實還有很大的進步空間。而研發中的大型蓄電池,在未來幾十年內也極可能突破太陽能氣候與峰值的問題。在節能方面,台灣在碳稅或是碳交易市場的發展幾乎還在起步階段。相較於中國的積極,在節碳上確實少了許多經濟上的誘因。我國住宅電價全球第三低,工業電價全球第八低,這樣是否合理?是否造成浪費?也值得大家一起討論。在生活型態上,能否想像未來一二十年電動車將越來越普及,屆時石油的需求將越來越低?

台灣是座美麗的島嶼,電力與能源的供給不像內陸國家可行成穩定電網、氣網。天然資源的缺發與自然災害的頻仍讓我們的選擇更須謹慎。非核家園當然是個很美好的願景與信念,期待做出這樣決定的政策制定者,同時也擁有為該政策辯護的能力、智慧與勇氣。

 

Iyengar Yoga 101: King Pigeon Pose 3 Ways


https://www.yogajournal.com/practice/iyengar-yoga-101-king-pigeon-pose-3-ways

Iyengar Yoga 101: King Pigeon Pose 3 Ways

King Pigeon Pose is about balancing stability and fluidity, in both your body and mind. Grab a strap, folding chair, and blanket and let’s get started!
FEB 17, 2017
carrie owerko king pigeon pose

Senior Intermediate Iyengar teacher Carrie Owerko knows how to find the surprisingly fun angles and elements of Iyengar Yoga. Owerko has partnered with Yoga Journal to bring you a six-week interactive online course in which she’ll share playful ways to use props and apply Iyengar principles and wisdom to your practice and life off the mat. Sign up now for a creative journey that will profoundly deepen and transform your approach to yoga and perspective on BKS Iyengar’s unique method.

King Pigeon Pose (Eka Pada Rajakapotasana) is one of those wonderfully challenging postures that requires both stability and mobility—easier said than done. Most yoga poses ask of us the same, but this one is particularly demanding. It requires you to remain aware, secure, and fluid, all at once, in order to avoid injury. Let’s call it “stable fluidity.” If you aren’t stable in your legs and core, you’ll topple over; if you aren’t fluid in your hips and spine, you risk forcing the pose and hurting yourself.

King Pigeon Pose is about balancing these two extremes, in both your body and mind. And these three creative, Iyengar-inspired variations can help you access the pose and its benefits, or move deeper into the stretch.

Learn to pause along the way as you explore the process of the pose. Pause, reflect, and observe your senses of perception. Are your eyes, tongue, and skin soft and relaxed? Don’t move on to the next stage until they are. It’s OK if that takes days, weeks, months… Remember: Yoga is at its heart a practice of waking up and being fully present and aware to what is arising.

“On this path of yoga, no effort is ever wasted, and there is no failure. Even the smallest effort toward awareness will protect you from the greatest fear." —Bhagavad Gita, Chapter 2, verse 40

OK, grab a strap, folding chair, and blanket and let’s get started!

Note: Be sure to warm up properly. First practice poses that elongate your hip flexors as well as those that increase the range of motion in your shoulders and upper back. Include some one-legged standing asanas to bring stability to your hip and pelvic regions, as well as some preparatory backbends such as Cobra (Bhujangasana)Upward-Facing Dog Pose(Urdhva Mukha Svanasana), and Upward Bow Pose (Urdhva Dhanurasana), to warm up the spine.

About Our Expert
Carrie Owerko is a Senior Intermediate Iyengar teacher based in New York City. She continues her studies with the Iyengar family by traveling to India on a regular basis, as well as by continuous in-depth studies with her yoga teacher, Patricia Walden. Before studying yoga, Carrie earned a BFA in dance and theater and became a Certified Movement Analyst. Curiosity, openness, and affection are of utmost importance in her approach to Iyengar Yoga, as is the integration of science, yoga philosophy, and poetic imagination. Most importantly, she loves to explore the relationship of discipline and playfulness and is a firm believer in the power of controlled folly. Learn more at carrieowerko.com

 

Brick apartment that reveals the architectural beauty of the cities built at the end of the 19th century


http://www.caandesign.com/brick-apartment-reveals-architectural-beauty-cities-built-end-19th-century/

Brick apartment that reveals the architectural beauty of the cities built at the end of the 19th century

Architects: Arhitektura AB objekt d.o.o.
Location: Mladinska ulica, Slovenia
Year: 2016
Area: 1.076 ft²/ 100 m²
Photo courtesy: Matej Lozar
Description:

“The apartment in the historical core of Maribor reveals the architectural beauty of the cities built at the end of the 19th century. Sometimes it turns out that the best an architect can do in favor of living quality is the entire purification of the existing space instead of adding new elements. When the ruined plaster was peeled off in the interior of the bourgeois apartment, the poetic essence of the construction appeared. Less than a century ago, brick was considered to be of a lesser value and was covered with plaster, at that time a more decent choice.

But in modern architecture, the central motif of designing the ambients is to exhibit the sincere cornerstones of space, such as visible concrete and wooden construction. A well-preserved brick, which has been hidden for a century by the finishing layer of the plaster, reveals the atmosphere at least as prominent as the raw concrete. A worn-out apartment at an exceptional location was bought by a Maribor soccer player. This should not be a shelter or a family home, but a place to enjoy, was the starting point of the client. But the architect can never foresee all the actual uses of space – the most interesting are those spontaneous, unforeseen, even secret or hidden. The architects opened the space completely.

They have removed all existing partitions and doors. They kept beautiful wooden frames in the sole preserved construction wall. The floor was covered with an old oak parquet. Thus the ambiance has become a space for the game for the endless possibilities of scenarios.”

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《 辛曉琪 – 每個愛情都危險 (04:18) 》


《 辛曉琪 – 每個愛情都危險 (04:18) 》

每個愛情都危險

作詞:李宗盛
作曲:李宗盛
男聲:周華健
女:愛不會永遠新鮮 愛人們啊 記住這點
男:守約真讓人疲倦 誰見過愛情不必諾言
女:如果你親身體驗 愛情與幸福之間 它並無關連
男:也許你會發現
合:其實每個愛情都危險
女:每次開始都悱惻纏綿
男:也能相安無事幾個春天
女:而它只是一點點
男:oh 一點點
女:它一天一點改變
男:再怎麼深陷
女:再怎麼癡戀
男:再怎麼為愛奉獻
女:再怎麼心甘情願
男:愛雖是前世的緣
女:更是今生的考驗
女:愛力量有限 愛人們啊 別忘了這點
男:永遠不要那天 流著眼淚 說著抱歉
女:若是曾親身體驗
合:愛情與幸福之間 它並無關連
男:終於你會發現
女:其實每個愛情
男:每個愛情
合:每個愛情 都危險
女:每次開始 都悱惻纏綿
男:悱惻纏綿
女:也能相安無事幾個春天
女:為何只是一點點
男:oh 一點點
合:它一天一點改變
女:再怎麼深陷 再怎麼癡戀
男:再怎麼為愛奉獻 再怎麼心甘情願
合:愛雖 是前世的緣 更是今生的考驗
男:不必懷疑最初的堅決
合:和那些真心付出的一切
男:有誰願意失心到接近冷血
合:也許他真的 已再無感覺
合:可惜不是每個人都瞭解 與其讓它將心撕裂
男:不如接受它的幻滅~
女:每次開始都悱惻纏綿
男:也能相安無事幾個春天
女:偶爾它卻一點點
男:oh 一點點
合:它一天一點改變
男:再怎麼深陷
女:再怎麼癡戀
男:再怎麼為愛奉獻
女:再怎麼心甘情願
合:愛雖是前世的緣 更是今生的
女:考驗
男:考驗
合:是考驗

 

【書摘】《裡台灣》|劉克襄


風平浪靜的冬日,下午三點左右,朝陽漁港碼頭左側,如常地集聚了若干中年男女,等待著漁船靠岸。
台灣本島平均每七八公里,即闢建有一漁港,加上外島的,密度之高,據說足以破金氏世界紀錄。當然,後來捕不到魚蝦荒廢掉,或者淤積擱淺的恐怕也相當可觀。還好全台最後興建的朝陽漁港,並未名列其中。
【書摘】《裡台灣》|劉克襄
http://www.thinkingtaiwan.com/content/6447

【書摘】《裡台灣》朝陽漁港的下午

人氣指數: 323
友善列印版本

書名:《裡台灣》
作者:劉克襄
出版社:玉山社出版公司

《裡台灣》書封

風平浪靜的冬日,下午三點左右,朝陽漁港碼頭左側,如常地集聚了若干中年男女,等待著漁船靠岸。

台灣本島平均每七八公里,即闢建有一漁港,加上外島的,密度之高,據說足以破金氏世界紀錄。當然,後來捕不到魚蝦荒廢掉,或者淤積擱淺的恐怕也相當可觀。還好全台最後興建的朝陽漁港,並未名列其中。

它居處的位置十分隱密,位於南澳平原北部,龜山之北的小海灣。過去除了當地人,大概少有人會注意到它的存在。日治時代此地稱為「浪速」(日文,發音為naniwa),意味著大浪急湧。興建漁港前,這裡的漁家只有兩種選擇,一是將漁船停泊在北邊的粉烏林漁港,二是冒著風險搶灘上岸。淺灘造成的二重浪頭,據說每年皆有人罹難。

等待的人群中,多半是朝陽村居民,以及鄰村的泰雅族。除此,還有一輛大貨車守候多時。它應該隸屬某一外地公司,專門運送漁貨的,定時開到碼頭,等船入港。

朝陽漁港一隅。來源:蘇澳觀光旅遊網

相較於其他漁港,這兒的規模較小,等候的人似乎沒那麼焦躁,充滿競爭標價的心情,但隱隱然還是有些急切。

大家在等待時,我望著漁港周遭,兩棟樓房鮮明地聳立著。

接近左邊龜山的樓房,應該是南澳海檢所的廳舍。漁船要進港時,海巡署照例會派巡防人員過來,跟大家一起等候,檢視上岸的漁獲和漁民,看看是否有違法走私或偷渡。

另一棟,位處港灣腹地,裝修美輪美奐。除了一樓為廁所,二樓以上準備做為展示館或餐廳吧。那是政府晚近改善漁港的重要計畫,想要塑造新的漁港文化,結果花費不少公帑下,形成蚊子館。如今很多漁港都有這等尷尬的閒置空間,空蕩蕩地矗立在海港中,一年四季灌飽了海風。

沒多久,十來公尺的「德成」號終於緩緩駛入,它是朝陽漁港內最大噸數的漁船。此時,唯有它駛入。當漁船慢慢接近,等候的人開始趨前。等船靠抵碼頭,一陣習慣性地忙亂。

眾聲喧嘩中,大批早已裝箱的魚鮮,快速抬上大貨車,直接駛往北方的城市。眼尖或熟悉者即知,某些海產餐廳和漁產公司都是固定買主,船主也會藏私,預留一些好貨。但縱使如此,在碼頭等候的人,還是能買到現撈的新鮮漁產,而且便宜得驚人。

買家深知,此一等候的代價絕對值得,也沒時問去掙扎和困惑。當一籠籠拍賣的海鮮上岸,大家便各自爭搶。白北仔、鯖魚、水針、秋刀魚……我來不及細數,大家早已挑定目標。還好是小漁港,買賣的情景常只這麼一時忙亂。眾人各自拎取,走往碼頭旁邊一處小棚子,依序排隊,進行磅秤和結帳。

一尾白帶魚十元,十來條才七十元。試問,上哪兒買得到如此便宜的鮮魚?結完帳,人人心頭滿足。有人兩手各捉一尾大土魠,吊掛摩托車置腳處,人魚共乘便騎走。也有人捉了一袋水針,硬塞到置物箱,滿足地揚長而去。

短短不到十來分鐘,大家迅速離開。海巡署的人員也不知何時早已消失,一群外勞漁工也被載走。只剩下清潔人員在善後,港口又恢復了過去的靜寂和淒清。

我抬頭眺望前頭的龜山,再回看更加高聳的大南澳嶺。很少漁港如此被兩山拱護,形成險要封閉之區。不遠處,腹地只有三平方公里,這處以漢人為主的屯墾社區,其實早在九〇年代初就努力迎接社區改造,既發展朝陽染、古竹炮的文化風俗,也嘗試栽植咖啡、洋香瓜等新產業。兩座山都有良好的步道規劃,只可惜尚未被外人知曉,難以形成豐腴的景觀資源。年輕人依舊外流,如今形成老人為主的社區。

過去他們殷切寄望漁港的興建,得以改善生活。努力了三十多年,二〇〇二年漁港終於興建完成。對朝陽村的漁民而言,有若安全的堡壘,此後不用再冒著生命危險去搶灘。怎知漁港如願了,外頭大海的魚類資源卻也走到盡頭。全台灣小漁港,類似朝陽,還繼續幸運殘存的應該也有一些。只是近海漁獲量愈來愈少,這些小漁港還能維持多久?

如何突破困境呢?現在又有休閒漁港的倡議,成為眾所冀望的出路。但政府法令有所限制,恐怕非一時即可解決。朝陽的家園振興之夢,看來總是卡在漁港這一關。

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《 Roy Orbison – I Drove All Night (03:42) 》


《 Roy Orbison – I Drove All Night (03:42) 》

I had to escape,
the city was stinking and cruel.
Maybe I should have called you first
But I was dying to get to you.
I was dreaming while I drove
The long straight road ahead.
Uh huh, yeah.
Could taste your sweet kisses.
your arms open wide.
This fever for you
was just burning me up inside.
I drove all night to get to you.
Is that all right?
I drove all night,
crept in your room.
Woke you from your sleep
To make love to you
Is that all right?
I drove all night.
What in this world
keeps us from falling apart?
No matter where I go
I hear the beating of our one heart.
I think about you
when the night is cold and dark.
Uh huh, yeah.
No one can move me
the way that you do.
Nothing erases this feeling
between me and you .
I drove all night to get to you.
Is that all right?
I drove all night,
crept in your room.
Woke you from your sleep
To make love to you
Is that all right?
I drove all ni~ght .
To taste your sweet kisses,
your arms open wide.
This fever for you
is just burning me up inside.
I drove all night to get to you.
Is that all right?
I drove all night,
crept in your room.
Is that all right?
I drove all ni~ght .
I drove all night to get to you.
Is that all right?
I drove all night to get to you.
Is that all right?
I drove all night.

Why Inflexibility May Not Be What’s Stopping You From Doing That Pose


https://www.yogajournal.com/teach/why-inflexibility-may-not-be-whats-stopping-you-from-doing-that-pose

Why Inflexibility May Not Be What’s Stopping You From Doing That Pose

When an asana is out of reach, yogis frequently blame their flexibility. But Bernie Clark explains that one pose simply doesn’t fit all. So he’s laid out a road map for getting to know your own unique anatomy and determining what actually is stopping you from doing a given pose.
AUG 17, 2017
king dancer yjlive

In the era of compulsive selfies, celebrating our individuality has entered an unnatural and distorted dimension. Technology constantly provides us with new widgets to cheat on our appearance and to hide our true self behind a filter of pixels. So when you throw yourself into the most sublime Dancer Pose and your toe doesn’t touch the crown of your head, reality hits you in the shape of your tissues and bones. Your body just can’t do this.

This doesn’t make you unfit or unyogic, it makes you human. It is the sobering reminder that we are all different. “You are unique, and that uniqueness is what makes the difference between what ‘everyone’ seems to be able to do and what you can do. There is no pose in yoga that everybody can do, and no one can do every pose,” explains Bernie Clark in Your Body, Your YogaWhen it comes to yoga practice, one pose simply doesn’t fit all.

See also “Why I Don’t ‘Stretch’ Anymore”

Your Anatomy Is Unique—Study It

Integrating difference and uniqueness, represents a complexity that not all societies are ready to accommodate. In a yoga class of five students, it is easy for the teacher to cater to everyone’s needs but that proves more challenging as the number increases. Thus the generalizations that leads them to make are potentially damaging if not taken with a pinch of salt. Insecurities can kick in in a yoga class, though. You may find yourself longing for a more compliant body and fearing that if you don’t perform the “real pose,” you will stand out and be deemed deficient.

“Differences aren’t deficits,” Clark writes quoting geneticist Theodosius Dobzhansky encouraging us to embrace uniqueness and to be less harsh toward our quirks. “Why think that because someone else can’t do something, you will fail? There are things you can do right now, there are things that you will be able to do in time, and there things that you will never be able to do.”

If you are curious enough, you can gradually become the best equipped person to understand the unique mechanics of your body. Most teachers don’t actually know you, and they will never understand you as well as you will be able to.

The odd overzealous teacher may even make erroneous assumptions that can harm you. It is essential to take charge of your own practice both on your mat at home and in classes. This involves taking the time to investigate your strengths, weaknesses, limitations, and skills.

See also Not ALL Hips Need Opening: 3 Moves for Hip Stability

Bernie Clark tension and compression

What Stops You?

Clark suggests an efficient way of mapping your own physical limitations comes by systematically registering your sensations in various yoga poses. He leads this exploration with the interrogation: “What Stops You?’ In other words: what limits your mobility?

Two things can stop you, he explains. One is tension, which is resistance of the tissues to being stretched (muscles, ligaments, fascia), and the other is compression, which is created by contact: bone to bone (hard compression), flesh to flesh (soft compression), bone to flesh (medium compression).

So by paying heed to sensations of tension or compression in your yoga practice you can explore your body’s unique anatomy and limitations. That in turn enables you to work with your body, rather than against it in a given pose. To assist this process Clark searched the nooks and crannies of anatomy to observe where tension or compression surge and described the sensations that correspond to each type of resistance in his book. In this excerpt from Your Body, Your Yoga, Clark explores three poses yogis commonly get “stopped" in and why.

See also 8 Keys to Take Your Yoga Teaching Beyond Standardized Alignment Cues

Adapted from Your Body, Your Yoga by Bernie Clark. Published by Wild Strawberry Publications, April 2016.

 

《 Roy Orbison – A Love So Beautiful (03:37) 》


《 Roy Orbison – A Love So Beautiful (03:37) 》

The summer sun looked down
On our love long ago
But in my heart I feel
The same old afterglow

A love so beautiful
In every way
A love so beautiful
We let it slip away

We were too young to understand
To ever know
That lovers drift apart
And that’s the way love goes

A love so beautiful
A love so sweet
A love so beautiful
A love for you and me

And I when I think of you
I fall in love again

A love so beautiful
In every way
A love so beautiful
We let it slip away

A love so beautiful
In every way
A love so beautiful
We let it slip away

Jersey Shore vacation home designed to create the best possible views of the ocean


http://www.caandesign.com/jersey-shore-vacation-home-designed-create-best-possible-views-ocean/

Jersey Shore vacation home designed to create the best possible views of the ocean

Architects: Jeff Jordan Architects LLC
Location: Sea Bright, United States
Year: 2016
Photo courtesy: Jeff Jordan Architects LLC
Description:

“Located within walking distance of the beach, this Jersey Shore vacation home for a Manhattan-based couple rises to an ocean view and has plenty of space for family and friends. Because the city’s zoning code limits all residential construction to two stories, the goal of the design was to create the best possible views of the ocean while respecting the constraints imposed by the local government. For this reason, the second floor and above mezzanine level became critical to the success of the design. Further, because this house would be used primarily during the warmer periods of the year, it was necessary to create comfortable and functional outdoor spaces.

The house’s form is an expression of its programmatic distribution. The horizontally-oriented first floor massing contains private spaces such as bed and bathrooms. The larger cube-like massing which sits atop the first floor contains shared spaces such as the living and kitchen areas. The vertically-oriented massing that is offset from the other two contains the stairway and provides access to the ground level. The overall result is a terraced structure that offers large outdoor spaces that are perfect for sunbathing and cookouts. While the house’s form is clean and modern, its cedar board siding serves to tie it into a well-establish beach house typology.

Perhaps the most important space in the house is the second floor living area that extends out to form the sun deck and up to define the mezzanine level. A series of double-height windows capture the morning sun’s rays. From this level the ocean is visible over the tops of nearby houses. The more-secluded mezzanine level connects the second floor to the house’s roof deck. It is from this uppermost level where the best view of the ocean can be seen.”

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《 Roy Orbison – California Blue (03:59) 》


《 Roy Orbison – California Blue (03:59) 》

Working all day and the sun don’t shine
Trying to get by and I’m just killing time
I feel the rain fall the whole night through
Far away from you California blue

California blue dreaming all alone
Nothing else to do California blue
Everyday I pray I’ll be on my way
Saving love for you California blue

One sunny day, I’ll get back again
Somehow, someway but I don’t know when
California blue, California blue

Living my life with you on my mind
Thinking of things that I left far behind
It’s been so long doing all I can do
To get back to you California blue

California blue
(California blue)
Dreaming all alone
(California blue)

Nothing else to do
(California blue)
California blue
Everyday I pray I’ll be on my way
Saving love for you California blue

One sunny day I’ll get back again
Somehow, someway but I don’t know when
California blue, California blue

Still missing you California blue
Still missing you California blue
Still missing you California blue

【人心人術】人美心更美!比舉起金牌更動人的郭婞淳|張肇烜


「從那時候開始,我就好喜歡運動!」從小對運動十分熱愛,她原本最喜歡田徑,只是為了訓練需要,練習舉重,卻沒想到,人生總是充滿意外,因為一次教練「順便」幫她報名舉重比賽,卻一舉摘金,從此展開婞淳的「舉重人生」。
【人心人術】人美心更美!比舉起金牌更動人的郭婞淳|張肇烜
http://www.thinkingtaiwan.com/content/6448

【人心人術】人美心更美!比舉起金牌更動人的郭婞淳

人氣指數: 3427
友善列印版本

「我不清楚台灣需要什麼,但我知道台灣需要我們做些什麼。」郭婞淳曾這麼說。2017年世大運,郭婞淳舉出破世界紀錄的優異成績獲得金牌,她的正面能量捍衛了台灣主場!

郭婞淳挺舉破世界紀錄,奪得金牌。(作者取自Taipei 2017 Universiade – 世大運臉書)

郭婞淳破世界紀錄在台灣鄉親父老面前舉出金牌,讓台灣人熱血沸騰!

「I AM WITH KUO ! WE ARE WITH KUO!」全台灣人都在為婞淳屏息、加油與吶喊!遠在宜蘭的羅東聖母醫院和澎湖惠民醫院的,也緊盯著賽事,為「聖母寶寶」郭婞淳加油!

婞淳「一舉成名天下知」,網友感動大讚是台灣「神力女超人」!更感動的是,「婞淳」的名字,非常特別,原來是有一段典故的……

「台灣英雄」郭婞淳,在距今23年前的冬天誕生。那年是1993年,婞淳的母親早年在宜蘭工作,因此就在羅東聖母醫院生產。然而,婞淳出生時體重過輕又有臍帶繞頸,還好有聖母醫院醫護人員悉心照料,終於得以「倖存」活下來。

母親就將這位得來不易的「聖母寶寶」取名為「婞淳」。

羅東聖母醫院全院醫護人員在世大運賽前為婞淳加油!(作者取自羅東聖母醫院臉書)

小小婞淳,就這麼和聖母醫院有了綿延久長的情緣。在羅東出生後,阿美族女孩婞淳在台東長大。

「從那時候開始,我就好喜歡運動!」從小對運動十分熱愛,她原本最喜歡田徑,只是為了訓練需要,練習舉重,卻沒想到,人生總是充滿意外,因為一次教練「順便」幫她報名舉重比賽,卻一舉摘金,從此展開婞淳的「舉重人生」。

婞淳小時候家裡環境並不好,國中之後靠著體育拿獎學金,她就再也沒拿過家裡一分錢。婞淳的舉重之路一路順遂,2013年更是登峰造極,幾乎包辦各大賽事金牌,眼看2014年亞運也可順利摘金。

孰料,就在距離仁川亞運不到2個月時,婞淳在一次訓練中,右手突然手滑,140公斤的槓片瞬間重力加速度壓在她的右大腿上,那一剎那,她只想到:「完蛋了,亞運怎麼辦!」

這次意外使得她右大腿外側肌肉斷了70%,一般人可能早就放棄了;婞淳卻怎麼都不願意放棄。這次意外斷了肌肉,還好骨頭沒有傷到。婞淳坐了將近一個月的輪椅,輪椅上的她用不同的高度思考人生,她相信這一切都是最好的安排,她更努力地配合治療以及復健。

2個月後亞運登場,外界認為可能因傷退賽的郭婞淳奇蹟復出,最後雖未奪牌,卻也取得第4名的優異成績。

「不管怎麼樣,我終究得克服。」婞淳繼續努力,在教練指導下,她克服一切困難,順利從傷痛中再站起來,並逐步把體能狀況調整到最顛峰。

2016年里約奧運,婞淳獲得銅牌。(作者翻攝自YouTube)

「人美,心更美!」是很多人對婞淳的印象。她受到陳樹菊阿嬤很大的啟發,婞淳認為:「靠賣菜都能幫助那麼多人,我就想,我也要靠自己的能力回饋社會,只希望可以幫助更多人。」

2015年的某一天,羅東聖母醫院接到一通想要「捐贈救護車」給醫院的「愛心電話」,是婞淳拜託教練打的。醫院承辦人員好奇問為什麼選擇聖母醫院?原來是,婞淳是在聖母醫院出生的「聖母寶寶」,她很感謝,當初醫護人員的細心照顧,她才能夠「倖存」活下來。

23年前出生的「聖母寶寶」,在舉重界發光發熱了,卻沒有忘記23年前的「救命恩人」!

聖母醫院募款中心主任李麗秋接到這通「愛心電話」,即表示因為羅東聖母救護車還在使用期限,「是否可以捐給同屬天主教靈醫會的澎湖馬公惠民醫院?」婞淳接受提議,匯款150萬元,購置全新的救護車給惠民醫院使用。

「為什麼要捐救護車?」有人好奇地問。

「我受傷時躺在那,最渴望的就是聽到救護車的聲音,我也想靠自己的能力回饋社會,幫助更多人!」婞淳這麼說。

救護車於2016年1月19日抵達澎湖馬公惠民醫院,開始馳騁在澎湖地區的道路上執勤了!(作者取自羅東聖母醫院臉書)救護車於2016年1月19日抵達澎湖馬公惠民醫院,開始馳騁在澎湖地區的道路上執勤了!(作者取自羅東聖母醫院臉書)

「感恩最好的方式就是回饋!」

2016年1月,婞淳將辛苦比賽贏得的獎金化為「愛的列車」,捐贈的全新救護車運抵澎湖,車身上寫著「天主教輔仁大學舉重隊郭婞淳敬贈」,救護車奔馳在澎湖的大街小巷,載運離島地區急難病患就醫,幫助了好多、好多人!

那年里約奧運,婞淳奪得銅牌,她是「最感心」的奧運銅牌!郭婞淳自提500萬獎金均分給她的3位教練。

「因為這面獎牌,不是我一個人的努力而成的。」婞淳這麼說。

一路支持鼓勵婞淳的奶奶與教練林敬能。(作者翻攝自YouTube)

出身單親家庭的婞淳一路走來,儘管很艱辛,她卻總是抱持著「愛」與「感恩」。

2014年那場受傷意外,讓她與亞運金牌擦身而過,在傷痛復原期間,她卻發覺到:「原來自己是一個可以幫助別人、影響別人、鼓勵別人的人。」

婞淳說:「儘管不知道台灣需要什麼,但我知道台灣需要我們做些什麼!」她自己省吃儉用,一心只想為台灣社會做些事!

2017年世大運,婞淳將苦練的成果化為最正面的能量,以破世界紀錄的優異成績成功奪得金牌,捍衛了台灣主場!不只婞淳喜極而泣,她的奮戰過程,更是感動鼓舞了好多台灣人!

婞淳把世界紀錄留在台灣,一舉奪金!(圖片作者翻攝自YouTube)

「感恩所有幫助我的人!也謝謝勇敢的自己!」

婞淳用佈滿了厚繭的苦練雙手,努力舉起金牌感動人心,更動人的是她一顆善良、美麗的心,用愛與感恩的正面能量與正向力量,鼓舞了更多的人,大家都能一起為台灣努力加油,讓台灣更美好!

關鍵字:

 

《 Roy Orbison – You Got It (03:31) 》


《 Roy Orbison – You Got It (03:31) 》

Every time I look into your lovely eyes
I see a love that money just can’t buy
One look from you, I drift away
I pray that you are here to stay

Anything you want, you got it
Anything you need, you got it
Anything at all, you got it
Baby

Every time I hold you, I begin to understand
Everything about you tells me I’m your man
I live my life to be with you
No one can do the things you do

Anything you want, you got it
Anything you need, you got it
Anything at all, you got it
Baby
Anything you want
Anything you need
Anything at all

I’m glad to give my love to you
I know you feel the way I do

Anything you want, you got it
Anything you need, you got it
Anything at all, you got it
Baby

Anything you want, you got it
Anything you need, you got it
Anything at all, you got it
Baby

Anything at all
Baby
You got it

環境行動趁早萌芽 七個獲獎少年團隊的故事


http://e-info.org.tw/node/206953?utm_source=%E7%92%B0%E5%A2%83%E8%B3%87%E8%A8%8A%E9%9B%BB%E5%AD%90%E5%A0%B1&utm_campaign=aff23c1b84-EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_f99f939cdc-aff23c1b84-84956681

環境行動趁早萌芽 七個獲獎少年團隊的故事

建立於 2017/08/26
資料提供:左腦創意行銷;編輯整理:本報編輯室
誰說有心保護環境、參與公共事務就只能等到長大?
有許多的年輕人在仍然在學時,就已經開始在能力所及的範圍內盡力付出,在今年初獲得保德信青年志工獎的行列當中就能發現許多這樣的故事。而當中也有不少青年有志於守護環境,並且付諸行動:有些是參與動保活動,有些是維護山林海洋的環境,有的則是盡力喚起地方社區對環境的意識……。一起來看看這些青少年都做了些甚麼!

黃繻霈:深入柬埔寨,點亮太陽能燈翻轉330個家庭

從小媽媽常帶著繻霈和姐姐,整理二手衣物、書籍和文具,捐贈給需要的人,教導她「做任何事情一定要持之以恆才能看到改變」,而繻霈使用壓歲錢助養海外孩童,已是家扶中心10年國外兒童認養人的成員。

黃繻霈繻霈參與柬埔寨的國際志工服務,發現許多地方過著沒水沒電的生活,入夜後家庭生產力與孩子的學習都被迫中止。回國後看到美國社會企業運用太陽能與LED科技,設計出可攜帶、能源效率高、且為窮人可負擔的照明設備,因此受到啟發。兩年前與姐姐及朋友共同發起「Light Love小太陽計畫」,為柬埔寨當地居民募集安全又環保的太陽能LED燈,目前共資助330個窮困家庭,讓他們能在夜間看書、工作。為了真正有效幫助這些受助家庭,繻霈提出將燈具以及受助家庭編號管理追蹤,團隊利用每次出團進行回訪,透過實際互動了解受助家庭的感受,同時順便帶來他們需要的基本物資,例如白米、牙膏和制服等。一開始從親朋好友募集資金,到後來寫企畫申請獎學金、向企業募款,團隊未來也考慮跟學校單位合作,以各班級為單位認養一盞燈,希望用群眾的力量為柬埔寨帶來更多改變。

繻霈在美國參加HOBY WLC世界青少年領袖會議,並到Feeding Children Everywhere組織服務,協助包裝各種乾燥食物,機構再發送給弱勢或第三世界的人民。繻霈計畫向營養包廠商勸募,捐助柬埔寨的貧困兒童。

陳心潔:志工文學家,藉文字為教育與動保議題發聲

心潔習慣寫日記抒發自己的心情,漸漸覺得文字的力量無限,希望可以創作分享自己的人生故事。考上高中後,在同學邀約下幫流浪狗洗澡,開啟了心潔的愛心行動。

心潔在校內成立「關懷生命社」,固定每週1次整理狗園陳心潔環境、清洗流浪狗,帶領社員替街頭的浪犬貓籌募絕育經費,號召50位同學協助台灣之心愛護動物協會下鄉絕育服務,於現場支援理毛、術後照護、拍照建檔等,解決流浪動物不斷繁殖而衍生的社會問題。她也因媽媽家鄉吃香肉的風氣盛行,發想撰寫小說《勿食》探討吃狗肉在不同風俗下產生的矛盾衝突。擔任校刊總編輯的心潔,更為校狗議題撰寫一系列報導,讓師生多了解校狗,關心動物、尊重生命。
心潔認為處在高齡又少子化的社會,越來越多的孩子成為家中唯一的寶貝,習慣接受他人付出,以自己為中心。成長經歷,讓心潔有感「陪伴」對孩童的重要,自高一起,兩週1次在仁澤關懷協會擔任助教,參與新平國小品德教育的志願服務,帶領小朋友生命教育的體驗課程。她相信孩子是社會改變與創新的資本,未來希望以一支筆、一把熱情繼續創作,發揮文字的影響力。

吳松韋:創建宿舍垃圾分類制度,盼美好環境成為傳統

吳松韋「裝備只有水桶、夾子、水管,每一台垃圾子母車都要耗費3個小時清洗,我想如果連這件事我都能咬著牙苦著做完,大概沒有什麼事情是辦不到的了。」這就是松韋,如此義不容辭、身體力行,為了讓環境變得更好,總願意第一個捲起袖管。

松韋入學即參加蔚藍社,將學校廢棄的土地復墾再利用,種植花卉、蔬菜,學期末販售有機蔬菜,並將營業額捐助給所需機構。松韋還是學校環境尖兵,利用每天中午協助垃圾破袋檢查及回收,維護垃圾及回收場的整潔,在任期內讓一般垃圾桶內的回收物數量快速下降。高二創立第一屆宿舍環境尖兵,當時宿舍的垃圾子母車,垃圾、廚餘全都丟在一起,散發無比惡臭,屢屢受到清潔隊的警告。松韋自告奮勇攬下任務,在短時間內號召夥伴,將子母車清潔乾淨,實施宿舍環境規章,建立資源回收站,親自駐點輔導,協助第二屆幹部招募,讓組織持續經營宿舍環境與環保觀念。除維持垃圾分類與資源回收工作,他更推動垃圾減量計畫,包括減少喝飲料或者自備環保杯等活動。

松韋認為「服務他人不必遠到他鄉異國,從自己的生活環境就能做起。」默默累積終會有影響力。體認到環境、教育都是社會的重要資本,未來,他將繼續投身環保與弱勢資源分配等議題。

黃子瑜:小小城市規畫師,街頭巷尾傳遞文化美好

黃子瑜子瑜的父親是花燈師傅,也是環境志工講師,對環保生態和文化古蹟著墨深。子瑜從小學四年級就加入彰化縣文化局圖書館小志工至今,父母鼎力支持,促成她與姐姐一起成為導覽解說員。父母找老師為她們訓練導覽技巧,姐妹倆由臉書號召成員,全家人分工合作,於2013年成立「彰化市文化古蹟青年志工團」。

子瑜目前為志工團團長,帶領6小隊,約120位國、高中生,志工團利用假日在古蹟元清觀、關帝廟與孔廟等導覽,已向縣府文化局申請長期駐點輪值解說服務,為在地文化保存而努力,服務中舉辦親子闖關及準備學習單等,增加民眾參與度。目前團隊已由單方面文化導覽轉為全方位服務,前往養護中心展開社區關懷,也接受單位需求申請,如榮民之家彩繪村計畫,對斑駁外牆刮除壁癌與粉刷。更與救國團、家扶中心等公益組識合作規畫年度服務活動。還將文化與低碳綠生活連結,結合YouBike便利性帶領民眾遊彰化,獲得熱烈回響,受彰化縣府邀約合作,於暑假帶遊客騎單車看古蹟吃美食。

子瑜與夥伴的付出也讓家長受其影響,成立「超級美女媽媽後援團」支援協助張羅物資與人員接送。未來除透過導覽讓鄉親對在地文化與歷史認識與重視,更將嘗試設置如跳蚤市場物品收集站、愛心麵包分享站等,使資源得以被共享。

張安琪:發起「微笑後灣」行動,盼恢復兒時美麗海灘

安琪的家鄉位在屏東後灣,海生館南邊的小漁村。小學三年級村裡新建了圖書館,在志工阿姨的帶領下參與淨灘、淨河,體驗到當志工的快樂,開啟安琪對服務的認知。

張安琪上國中後,安琪加入服務學習社,擔任社長後,除了參與學校的服務行動,也沒有忘記關心屏東後灣的家鄉,她發現圖書館被改建成民宿,兒時美麗沙灘堆滿了廢棄物,因而發起「微笑後灣」計畫,號召社團同學到街頭進行愛護環境簽署活動,並和妹妹拍攝公益短片,利用午餐時間在全校公播,用後灣真實的情況來喚起大家對環境的重視。安琪募集了300本書、2個書櫃及美術文具用品,為後灣附近資源稀少的射寮國小建立圖書角,讓少了圖書館的孩子們,能有開心閱讀的角落。

安琪還運用編舞專長,召集學弟妹成立舞蹈小組,希望把歡樂帶給陪伴的孩童、特教生及爺奶們。因為服務,讓不愛笑的安琪開始學會微笑,她相信,只要對周遭人事物多一點付出和關懷,可以讓社會變得更好,讓自己更快樂。未來計畫就讀觀光科系並將持續關注環境議題。

乃德耀:籌組掃山健行隊,一步一腳印守護山林

乃得耀得耀自國一開始投入志願服務,寒暑假參與二水裕民村居民自發性的二水街道健行隊,清晨出發,沿途邊健行邊撿拾垃圾。與村長一同關懷獨居老人,補給生活物資更合力打掃住所。在嘉義榮總擔任志工時,得耀湊近重聽長輩的耳邊以正常音量溝通,表示尊重,他認為在醫院服務,耐心關心並勇於了解求助民眾心境,才能有效和緩病患情緒。喜愛登山的得耀,與朋友組成掃山健行隊,維護二八彎古道、松柏嶺步道等地區環境,他也注意到沉積在山谷中的垃圾,是最無法處理的死角,一次谷關淨山,受過訓練的得耀與攀岩教練的表哥,利用吊具垂降撿拾山谷下的廢棄物,「你丟我撿」終究治標不治本,呼籲大眾,有能力背上山的,就有責任背下山,遊客能對環境做出友善的選擇才是維護自然的關鍵。

關心偏鄉資源不均及醫療問題的得耀,立志成為一名中醫師,希望未來可以結合自身興趣爬山行醫,讓愛心觸角能深入深山及偏鄉,造福更多缺乏醫療資源的地方。

方韋棋:雲林孩子愛家鄉,超強行動力颳起在地志工炫風

方韋棋韋棋認為用愛關懷社會,不應該只在人與人之間,也得重視人與環境間的問題。他發起斗六人文公園的環境關懷行動,號召同學們至公園撿拾垃圾,並針對清理菸蒂拍攝短片,宣導吸菸自備熄菸盒愛護公共環境,透過學生會與斗六人社交圈臉書分享,超過2,000人次觀看。韋棋領導學生會投入社會服務,組織服務志工到竹山、斗六、虎尾等中小學舉辦英語學習活動,更在校內舉辦全英語體驗營,讓偏鄉小學生接觸世界語言,建立國際觀。還推動網路教育影片,舉凡英文、西班牙文、歷史地理、健身運動、電腦動畫、國際時事,不只學校師生受惠,更擴及網路族群。此外,他關懷雲林縣流浪動物無處可去的環境與人道問題,寫信給縣府、議會尋求改變,讓縣長承諾要妥善安置流浪動物。

透過所學改變自己的家鄉,是韋棋的最大夢想,相信每個議題都有連鎖的影響,只要行動,就有機會改變。他將持續分享服務經驗,為在地弱勢家庭付出努力,未來更以無國界醫生為目標。

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《 Roy Orbison – Only The Lonely (02:31) 》


《 Roy Orbison – Only The Lonely (02:31) 》

Dum-dum-dum-dumdy-doo-wah
Ooh-yay-yay-yay-yeah
Oh-oh-oh-oh-wah
Only the lonely
Only the lonely

Only the lonely (dum-dum-dum-dumdy-doo-wah)
Know the way I feel tonight (ooh-yay-yay-yay-yeah)
Only the lonely (dum-dum-dum-dumdy-doo-wah)
Know this feeling ain’t right (dum-dum-dum-dumdy-doo-wah)

There goes my baby
There goes my heart
They’re gone forever
So far apart

But only the lonely
Know why
I cry
Only the lonely

Dum-dum-dum-dumdy-doo-wah
Ooh-yay-yay-yay-yeah
Oh-oh-oh-oh-wah
Only the lonely
Only the lonely

Only the lonely (dum-dum-dum-dumdy-doo-wah)
Know the heartaches I’ve been through (ooh-yay-yay-yay-yeah)
Only the lonely (dum-dum-dum-dumdy-doo-wah)
Know I cry and cry for you (dum-dum-dum-dumdy-doo-wah)

Maybe tomorrow
A new romance
No more sorrow
But that’s the chance

You gotta take
If your lonely heart breaks
Only the lonely

Dum-dum-dum-dumdy-doo-wah

聲景之父親授「聽」的方法 《聽見聲音的地景:100種聆聽與聲音創造的練習》


http://e-info.org.tw/node/206950?utm_source=%E7%92%B0%E5%A2%83%E8%B3%87%E8%A8%8A%E9%9B%BB%E5%AD%90%E5%A0%B1&utm_campaign=aff23c1b84-EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_f99f939cdc-aff23c1b84-84956681

聲景之父親授「聽」的方法 《聽見聲音的地景:100種聆聽與聲音創造的練習》

建立於 2017/08/26
作者:R‧莫瑞‧薛佛
編按:「聲景生態學」之父R‧莫瑞‧薛佛首創「聲音地景」(Soundscape)概念,然而聲音的地景究竟要怎麼聆聽呢?在〈聽見聲音的地景〉這本書裡,R‧莫瑞‧薛佛提供幫助大家「重新聆聽」的方法,從小孩到大人都適用,鍛鍊聽功的武林秘笈,提升「聽見世界」的感知能力。

我們關心聲音的議題,希望能提供老師教學方法,幫助學生有效聆聽。身為音樂家,我有理由樂見其成;但無論如何,只要牽涉到口語或聽覺訊息的交換,在所有教育活動中,聆聽都是一件非常重要的事情。不管我們喜不喜歡,總是持續地在聽。可是,擁有雙耳並不代表能夠有效聆聽。實際上,許多老師曾經告訴我,他們發現學生的聆聽能力在逐漸下降當中。這是一件嚴重的事,沒有什麼比感官教育更基本的了,且聆聽又是感官教育中最重要的一環。

聆聽的時候,我們顯然會用不同的方式處理不同的事物,而且有許多證據顯示,不僅僅是個人而已,就連社會都有不同的聆聽方式。舉例來說,我們口中的「專注傾聽」與「被動聽見」,兩者之間就有差異。為什麼我們會專心聆聽某些聲音,卻在無意中聽見別的聲音?有些聲音是否會依文化而有所差異,以至於當地人會充耳不聞?(某個非洲人曾說過一句話:「種族隔離是一種聲音!」)有些聲音是不是會被某些人過濾掉,但其他人會用低調的方式發出這種聲音?此外,聽覺環境改變,會不會影響我們選擇聆聽或忽略的聲音類型?

我將聽覺環境稱為「聲景」(Soundscape),是指無論我們身處何地、由聲音所構成的整體範圍。聲景一詞取自「景觀」(Landscape,或譯地景),但與景觀不同的是,聲景並不僅限於戶外。在我寫作的同時,四周環境就是聲景。我從敞開的窗戶聽見,風將白楊木的樹葉吹得沙沙作響。時值6月,鳥巢裡的幼雛剛孵出來,空中盡是牠們的鳴唱之聲。屋內,冰箱壓縮機突然啟動,發出刺耳的嗡嗡聲。我深呼吸,開始抽起菸斗,菸斗在我抽的時候發出啪、啪、啪的微弱雜音。我在乾淨的紙張上,流暢地用筆寫字,發出不規則的咻咻聲,並且在我寫到「i」字上的點和句號時,發出喀噠聲響。這就是祥和的午後,我住的鄉野屋舍呈現的聲景。請花點時間,一面閱讀這段文字,一面跟你的聲景對照。在這個世界上,有各種截然不同的聲景,聲景會因時間、季節、地點、文化而有所不同。

今時今日,世界上每個地方的聲景都在不斷改變。隨著人們身邊的機械玩意兒愈來愈多,聲音的數量正快速增長,比人口增加的速度還快。如此一來,環境也變得比過去更加嘈雜。

有愈來愈多證據顯示,現代文明也許會被自己的噪音淹沒。然而,噪音汙染除了會帶來生理危害,這些變化是否也會影響我們的心理聽力呢?是否有辦法過濾不想聽的聲音,但依然聽得見想接收的訊息?又或者,到最後我們會敗給感官超載,茫然地屈從了,或疲憊得沮喪不已?

ear
噪音汙染除了會帶來生理危害,這些變化是否也會影響我們的心理聽力呢?圖片來源:eltpics(CC BY-NC 2.0)。

讓人心灰意冷很容易。我在一所大學的傳播系開設噪音汙染的課程時(約1965年),很快就察覺到,用完全負面的主題教學不會有什麼效果。專家在課堂上給學生看內耳構造圖與噴射引擎的分貝圖,律師說明無法打贏聽力損失官司的理由,城市規劃師讀出執行不彰的防噪細則,聲音工程師主張投入更多時間金錢從事更多研究。顯然在許多專家心中,是希望噪音繼續存在的,因為這樣他們就能繼續工作。我的學生反應很消極。他們說:「所以,這個世界很吵,你覺得我們還能怎麼應對?」其實,現代聲景已經讓人培養出對噪音的偏好了。工作環境與街道上的聲音位準提高,音樂與娛樂活動對聲音位準的需求也因此隨之攀升。居住在現代都市的人們普遍忽略這種現象對健康帶來的危害,甚至還有可能強烈反對減少噪音,覺得這樣會讓生活變得不夠精彩。

我在《世界調音》(The Tuning of the World)一書中,探討生活中的聲音歷史,提出一種方法,可將噪音這個負面主題完全翻轉成對聲景設計的正向追求。對我而言,聲景設計並非依靠形上或外來的世界,而是一種發自內在的活動,唯有讓愈來愈多人更專心傾聽與自己有關的聲音,才能達成這個目標。哪些是我們想要保留的聲音?要如何使這些聲音發揚光大,保留環境中的主要特色,進而美化這些特色呢?

我相信,改善世界聲景的方式十分簡單,就是學會聆聽。現在,聆聽似乎成了一種被人們遺忘的習慣。我們一定要打開耳朵,對周遭美妙的聲音世界更加敏感。等到我們培養出觀察入微的感官,就能進一步展開有社會意義的大型計畫,以自身的經驗影響他人。我們的最終目的是,開始有意識地做出設計決策,以此影響身邊的聲景。

我該怎麼做,才能用有效的方式,將這些議題呈現出來,給老師以及可能對這個計畫有興趣的人看呢?我的決定是,最簡單的形式最好,也就是蒐羅各種練習──我將這些練習稱為「清耳練習」。這些練習我在教學中都運用過,對象有兒童也有成人,絕大多數的練習不需要特別訓練就能進行,而且很多都能獨自完成。只有一點要注意,就是大部分的練習採分組進行效果會最好。

想當然,我沒有打算讓這些練習以系統化的方式,從頭到尾操作一遍。這些是設計成因時制宜、不需要定期進行的練習。我的蒐集方式很隨性,一開始是聽覺與聲音想像的練習,中段處理噪音的議題,最後才處理社會中的聲音,某些習題中有嘗試過的人或團體提供的報告。這是屬於你的練習,開始進行吧!請按照情況所需著手調整,並在遇到有關的內容時加入其他方式。這個計畫沒有結束的一天,任何擁有一副好耳朵的人能夠想出來的方式,都可以用來繼續努力不懈地美化這個世界。

練習1

我們從簡單的練習開始:寫下你聽到的所有聲音。花幾分鐘寫,如果是分組進行,請大聲念出所有人的清單,並將差異之處記下來。

由於聆聽是非常個人的活動,所以每個人寫的清單會不一樣;雖然有些清單可能比別人長,但是所有答案都是對的。

每個人都可以隨時隨地進行這項簡單的練習。如果能嘗試好幾次,透過比較不同的環境,養成聆聽的習慣,會是很不錯的點子。

練習2

現在我們要用各種不同的方式將清單分類。首先,按照大自然的聲音、人類聲音、科技(機械)聲音,為聲音加上「自然」、「人為」、「科技」的代號。哪一種聲音佔大多數呢?

接著,在你自己製造的聲音前面畫上「X」號。在你的清單上面,大多數是自己的聲音,還是別人的聲音?

有些聲音在你聆聽的過程中持續作響;有些聲音可能一直重複,不只發出一次;有些則聽見一次。在聲音前面寫上「連續」代表連續音、「重複」代表反覆出現的聲音、「單次」代表僅出現一次的聲音。(順帶一提,有沒有什麼聲音是一直到現在問你,你才注意到,但其實一直都在響的聲音呢?)

練習3

拿出另外一張紙,紙張上方留給響亮的聲音,下方留給輕柔的聲音,將你聽到的聲音,根據聲音聽起來屬於響亮還是輕柔,分別安排在紙張的上下兩邊。

現在,紙張上方留給悅耳的聲音,下方留給難聽的聲音,按照這個分類法列出聲音。

將紙張翻面,在中間畫一個大小適中的圓圈,將所有你發出來的聲音寫在圓圈裡,其它聲音則按照聽起來的距離與方位逐一列在外圍。

聰明的老師會在這些練習過程中鼓勵學生討論,目的在於呈現出,聲音可以用許多不同的方式思考,人永遠無法將聲音侷限在單一的類別裡。聲音有各式各樣涵義,會不停改變,總是能夠產生新的意義。

《聽見聲音的地景:100種聆聽與聲音創造的練習》

《聽見聲音的地景:100種聆聽與聲音創造的練習》

作者:R.莫瑞.薛佛
譯者:趙盛慈
出版社:大塊出版社
ISBN:9789862138021

你的耳朵有在聽嗎?
你有多久不曾好好聆聽周遭的聲音?
聆聽其實需要刻意練習,100種指引你專注傾聽的習作,
帶你重新建立對世界以及自己的認識。

這是一本可以獨自閱讀、與朋友共享,或是團體協作,有著無窮變化的小書。任何年齡層、任何身分背景的人都能夠實際操作,透過這些練習,每個人都能找到自己和環境獨一無二的連結與收穫,是所有人都適合閱讀的一本書。

 

《Roy Orbison – Oh, Pretty Woman (03:06) 》


《Roy Orbison – Oh, Pretty Woman (03:06) 》

{Instrumental}

Pretty woman walking down the street
Pretty woman the kind I like to meet pretty woman
I don’t believe you you’re not the truth
No one could look as good as you
Mercy!

Pretty woman won’t you pardon me
Pretty woman I couldn’t help but see pretty woman
That you look lovely as can be
Are you lonely just like me?

*growl*

Pretty woman stop a while
Pretty woman talk a while
Pretty woman give your smile to me
Pretty woman yeah yeah yeah
Pretty woman look my way
Pretty woman say you’ll stay with me
Cause I need you I’ll treat you right
Come with me baby be mine tonight

Pretty woman don’t walk on by
Pretty woman don’t make me cry pretty woman
Don’t walk away hey ok
If that’s the way it must be ok

{Instrumental}

I guess I’ll go on home it’s late
There’ll be tomorrow night
But wait, what do I see?
Is she walking back to me?
Yeah, she’s walking back to me
Oh oh, pretty woman

沙洲手記:探討身體現代之瘼與自然之荒的相遇


http://e-info.org.tw/node/206951?utm_source=%E7%92%B0%E5%A2%83%E8%B3%87%E8%A8%8A%E9%9B%BB%E5%AD%90%E5%A0%B1&utm_campaign=aff23c1b84-EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_f99f939cdc-aff23c1b84-84956681

沙洲手記:探討身體現代之瘼與自然之荒的相遇

建立: 2017/08/26

2011年,藝術家王墨林,感於形成台灣最大潟湖七股沙洲日漸退縮,帶領瓦旦•塢瑪創立的行為藝術工作室水田部落成員,在最南端的陸連沙洲頂頭額汕策展護沙行為藝術。

為永不止息的藝術初衷而誌。

策展人:王墨林
表演藝術家:王墨林、瓦旦塢瑪、陳憶玲、陳佩君、張恩滿、曾啟明
攝影:許斌

※ 本文轉載自許斌臉書

 

【妖言惑眾】各自


【妖言惑眾】

丈夫與妻子的目地是相同的,

卻在各自經歷了不同的道路後,

才雙雙抵達。

兩個人,

不能互抱,

不能互揹,

必須各自靠著自己的雙腳往前行。

若是,

有人與自己朝著相同的方向前進,

至少,

對於撫慰旅途的寂寥,

是會稍有助益罷了。

【◎心靈研磨坊 - 曼陀羅藏◎】

《心靈研磨坊 ─ 身心體能極限的突破,放慢步調,邁開腳步,輕鬆地悠遊著....》